Shakespeare’s Elizabeth
I am rapidly approaching completion of a PhD at University College London which examines the intellectual and literary life of Elizabeth I, focusing on her decision in 1593 to translate from Latin, during her leisure hours, Boethius’ Consolation of Philosophy. As this page’s title suggests, my work is also about how Elizabethan poets and playwrights imagined Elizabeth – and how Elizabeth’s learning allowed her to influence that representation. As a feminist scholar, I’m interested in the trope of the ‘learned lady’, as it emerged out of Erasmian humanism – and whether Elizabeth sought to distance herself from the feminine limitations of the model. I remain fascinated by Shakespeare’s queens.
I originally studied classics at Oxford, before continuing my studies at Yale in comparative literature and eventually working on Shakespeare at UCL, and I have always been interested in the broad sweep of European intellectual history. This space on my website is mainly for me to post updates on the more academic side of my life, including responses to scholarly discussions online, but I’m also cross-posting any of my more general writing that seems particularly relevant.
The Duchess of Malfi, Sam Wannamaker Theatre at the Globe
reviewed for Conservative Home, 30 January 2014 The last time I saw Gemma Arteton play dead she was lying on James Bond’s hotel bed, her nude body glistening with black oil. I’ve just watched her asphyxiated again, as the doomed title role in John Webster’s Duchess of Malfi, so although this time her...
Read MoreCoriolanus, Donmar Warehouse
reviewed for Conservative Home, 19 December 2013 Is there a more toxic cry than “plebs”? I’d bet my house that Andrew Mitchell never uttered the word during that notorious stand-off at the Downing Street gates last year. But if Mitchell wants to see himself played by a Hollywood heartthrob, he might...
Read MoreSurveillance states needn’t make us paranoid
written for Conservative Home, 20 June 2013 It’s been a long day in the office for London’s most-hated politician. The French ambassador’s in a fury: it’s just come out that Her Majesty’s Secret Service used a key diplomatic summit the previous year to intercept all communications between his...
Read MoreRichard II, Donmar Warehouse
reviewed for The Spectator, 14 December 2011 Thanks to some mistake of history, Shakespeare’s Richard II has never quite been recognised as one of those roles against which the great actors are measured. But it takes a virtuoso to bring Richard to life: like all the toughest roles, he’s a heap of...
Read MoreThe Tempest, Royal Haymarket Theatre
reviewed for The Spectator, 9 September 2011 The Tempest is back in town, and with a star like Ralph Fiennes in the lead, it’s unlikely that Trevor Nunn’s new production will need much help from the critics to get bums on seats. But although Fiennes brings a moving dignity to Shakespeare’s tale of a...
Read MoreDoctor Faustus, Shakespeare’s Globe
reviewed for The Spectator, 28 June 2011 The text that codified the old legend of the learned man who sells his soul to the devil, Christopher Marlowe’s Doctor Faustus is one of the most influential plays in English history. It’s also one of the worst, from the point of view of the director. Scenes of...
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